Raf Simons has been pushing the boundaries of the fashion industry with his thought-provoking fashion shows, particularly evident in his Fall 2016 collection. Departing from conventional fashion norms, Simons created a labyrinthine setting reminiscent of a horror film, challenging the traditional fashion show format. Models darted through the maze-like structure in oversized garments, while composer Angelo Badalamenti’s dialogue with director David Lynch played instead of music, adding an eerie ambiance. The collection, titled “Nightmares and Dreams,” delved into the theme of time, as Simons revisited 20 years of his own work and drew inspiration from the departure of Martin Margiela from his own label. The garments themselves reflected a sense of distress and wear, with oversized sweaters and coats adorned with patches and distressing, evoking a sense of nostalgia and memory. Simons openly acknowledged Margiela’s influence on his work, a rarity in an industry where designers often shy away from such overt homage. Yet, Simons embraced Margiela’s legacy, incorporating elements like conspicuous wear and oversized proportions into his collection. The result was a deeply personal exploration of Simons’ own dreams and nightmares, conveyed through garments that seemed to symbolize the passage of time and the complexity of memory. Rather than making a broad social statement, Simons focused on introspection, weaving his personal experiences and emotions into the fabric of his designs. His ability to project his internal world externally resonates with the work of auteurs like Lynch and artists like Cindy Sherman, elevating him to the ranks of visionary creators in the fashion world. . . .
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