juntakahashi hashtag performance

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Jun Takahashi, UNDERCOVER founder, has made the HYPEBEAST100 list again. Known for his influential fashion label, the designer recently stepped into the art world, with his first solo exhibition titled “THEY CAN SEE MORE THAN YOU CAN SEE”. #JunTakahashi #Undercover #Art #ArtTok #ArtistsofTikTok #TikTokFashion

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The Ballerina Motorbike collection from Comme des Garçons’ Spring/Summer 2005 season was an unforgettable mash-up of grit and grace. First revealed as a supplement to the April 5 issue of Madame Figaro Japon, the catalog reflected Rei Kawakubo’s meticulous vision, with Mark Segal’s runway photos, Mats Gustafson’s fluid illustrations, and archival images by Pete Moss from Blitz magazine in 1985 coming together to enrich the collection’s multifaceted theme. Kawakubo took the rebellious spirit of biker culture and placed it alongside the delicate precision of ballet, creating a conversation between power and fragility. Oversized biker jackets, stitched with rough, saddle-like seams, were thrown over frothy tutus in a jarring but harmonious pairing. “I thought about the power of the motorbike—the machine itself—and the strength of a ballet dancer’s arms,” Kawakubo explained. This unlikely combination of toughness and elegance encapsulated her ongoing exploration of women’s strength and identity. The design language of the collection was deliberate and symbolic. Neoprene and leather jackets featured rolled-up sleeves and perforated inserts, evoking the functional aesthetics of motorcycle engines. Skirts made of curviform foam-rubber seat covers transformed industrial elements into sculptural fashion. The color palette moved from sleek black and tan to bursts of orange, juxtaposed with soft pink and white tutus, creating a visual dialogue between opposing forces. Rather than simply blending two worlds, the collection seemed to probe deeper. What tools does a modern woman need to thrive? Kawakubo’s answer appeared to lie in the balance of toughness, speed, and disciplined refinement. Quirky touches like powdered wigs hinted at authority or wit, while feathered accents and shiny ballet flats added a playful, dreamlike quality to the pieces. The collection didn’t need an overt conclusion or definitive takeaway; its power lay in its contradictions. Ballerina Motorbike celebrated a woman who could embody many facets—vulnerable yet unyielding, delicate yet strong—showing that neither power nor beauty needs to compromise the other. #fashion #archivefashion #fyp #reikawakubo #commedesgarcons #cdg #juntakahashi #undercover #dior #713mag #dior #supreme #cortiez #vogue #runwayfashion #highfashion #luxury #seedsus #713studios

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Replying to @Blue’s Shoppe HAPPY NEW YEAR! Yall know I’m a Delta One girlie. Let’s go to NY and get this year started 🙌🏾 Shoes @LOEWE Coat #juntakahashi @delta #happynewyear #2025 #deltaone #staytuned

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Maison Martin Margiela’s Autumn/Winter 2008 menswear collection, led by Sébastien Meunier, was unveiled in a Paris showroom close to the brand’s headquarters. The presentation was uniquely Margiela: twenty models stood still, each holding a trompe l’oeil newspaper that mimicked their torso and arms, blurring the line between garment and presentation. This playful disruption highlighted the collection’s focus on practical yet subversive design. The collection opened with motifs drawn from construction materials. Barbed wire became necklaces, tank tops, and even a belt buckle, while brick patterns were printed onto tailored suits. Footwear ranged from tall slip-on work boots, a nod to utilitarian workwear, to German Army Trainers (GATs) and cowboy boots featuring a whimsical skull print. These contrasts explored masculinity’s dualities, oscillating between satire and homage to rugged archetypes. This wasn’t just about the working man, though. The collection balanced rugged themes with an indulgent side, offering a vision of two distinct masculinities. A snakeskin-patterned velvet blazer embodied Margiela’s signature fabric experimentation and a touch of opulence, while oversized padded shoulders, reminiscent of the womenswear collection, emphasized a sense of dramatic flair. Margiela also reimagined Michael Jackson’s iconic Thriller jacket, blending pop culture into the brand’s eclectic references. Each look was completed with the brand’s signature “L’incognito” sunglasses, an avant-garde design featuring a sleek black strip that obscured the eyes—an unmistakable Margiela hallmark. For more articles and videos go to sevenonethreemag.com #fashion #masionmarigela #margiela #virgilabloh #yeezy #archivefashion #juntakahashi #undercoverism #maisonmartinmargiela #hedislimane #rickowens #fashionmagazine #vogue #713mag #seedsus #713studios #fyp #vintage

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Yohji Yamamoto returned to the Paris stage in July 1996 with a menswear collection that rejected minimalism and embraced bold extravagance. Titled Baroque, the collection defied the quiet simplicity often associated with men’s fashion. It celebrated what Yamamoto called “the bad taste of a grown man wearing clothing made for women, too tight for ease and overly adorned for restraint.” The show opened with Yamamoto’s signature suiting—refined and familiar—before erupting into a kaleidoscope of vibrant prints, flowing silhouettes, and unconventional sneakers crafted from a mix of materials. The collection merged the dramatic opulence of Baroque-era aesthetics with the rebellious energy of mid-century urban style. Hawaiian shirts and oversized trousers brought a sense of relaxed masculinity, while tailored tops borrowed from womenswear hinted at a softer edge. Denim and sportswear also played significant roles, with several models sporting Reebok InstaPump Fury OG sneakers. In a bold casting move, the runway featured a roster of celebrated figures, including Vincent Gallo, Ron Perlman, Seymour Cassel, Tony Leung, and Chang Chen, alongside James Lavelle. The backstage energy, captured by photographer Christophe Rihet, was later compiled into an evocative visual booklet, immortalizing the creative chaos of the moment. Subtle touches added depth to the collection, such as Yamamoto eyewear, which made an understated debut on the runway. Seymour Cassel, for instance, donned sunglasses from the Autumn/Winter 1996-1997 line, seamlessly blending past and present. While the collection was undeniably bold, it wasn’t without criticism. Some voices in the fashion world, like Amy M. Spindler, felt that Yamamoto’s menswear lacked direction at the time, while Suzy Menkes suggested the designer’s anti-establishment attitude seemed out of step with the strides menswear had recently made in breaking traditional boundaries. Nonetheless, Yamamoto’s defiance of convention proved as daring as ever. In a world of streamlined minimalism, he remained committed to exploring the dramatic, the playful, and the unapologetically excessive. For Yohji, the challenge is always worth taking. For more articles and videos go to sevenonethreemag.com #fashion #yohjiyamamoto #masionmarigela #margiela #virgilabloh #yeezy #archivefashion #juntakahashi #undercoverism #hedislimane #rickowens #rafsimons #japanesefashion #vintage #fashionrunway #fashionweek #vogue #713mag #seedsus #713studios

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A curated collection of vacation photographs capturing Issey Miyake and Kensuke Ishizu’s journey to the 1992 Olympic Games in Barcelona, with stops in Mallorca and London. (1992) #isseymiyake #japanesefashion #rafsimons #maisoargiela #virgilabloh #kanyewest #fyp #juntakahashi #juntakahashi #art #fashionweek #archivefashion #rickowens #fashion #713mag #seedsus #713studios

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Yoshiki Hishinuma’s Autumn/Winter 1990 collection marked a pivotal moment in avant-garde Japanese fashion. Known for his experimental approach to textiles and form, Hishinuma introduced an otherworldly vision that seamlessly blended innovation with artistry. The collection showcased his mastery in fabric manipulation, particularly through his pioneering use of pleating and crinkled textures, which created a sense of dynamic movement and sculptural elegance. Hishinuma’s designs often appeared to defy gravity, featuring voluminous silhouettes and intricate layering that challenged conventional tailoring. The color palette leaned toward muted, natural tones interspersed with metallic accents, reflecting a futuristic yet organic aesthetic. The juxtaposition of rigid architectural forms with softer, flowing fabrics highlighted Hishinuma’s ability to bridge opposites, creating garments that felt both ethereal and grounded. This collection aligned with the rise of Japanese designers on the global stage, reinforcing their reputation for pushing the boundaries of fashion. Hishinuma’s A/W 1990 collection remains a testament to his vision of fashion as wearable art, blending tradition with innovation to create a lasting impact on the art. #fashion #archivefashion #fashiontok #fashiontiktok #fyp #vogue #archive #vintage #713mag #hypbeast #rickowens #grailed #rafsimons #maisonmargiela #japanesefashion #juntakahashi #nigo #seedsus #713studios

juntakahashi hashtag performance

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