A standard lens is your regular, straightforward type. It captures the world pretty much as your eyes see it. The image it produces is what you’d expect—no funny business. It’s great for a clean, natural look, like shooting portraits or regular scenes. Now, an anamorphic lens is the wild, cinematic cousin. It squishes (or “squeezes”) the image horizontally when you film, allowing you to capture a much wider field of view without needing a super-wide lens. Later, in editing, you “unsqueeze” it, and voilà—you’ve got that super wide, epic, movie-like frame that feels like it belongs in a blockbuster. And the bonus? Anamorphic lenses also give you those beautiful, horizontal lens flares and oval-shaped bokeh in the background. It’s the kind of stuff that screams “cinema.” So, standard lenses are practical and straightforward, while anamorphic lenses bring drama, style, and that “Hollywood” vibe. Think of it as the difference between a regular photo and a movie poster. @siruiimaging
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