We’re in full gray moonlight mode for the final keyframe of our short film Quiet Hour in the Night Cinematography Masterclass—watch to see how the final scene comes together! The camera is set to 2900 Kelvin at 3200 ISO, with a base ISO of 3200. Shane and 1st AD Cliff Lanning worked with @ihavethedinero and his @legacy_grip team to tent the exterior, allowing us to capture this last shot before the light faded and we transitioned to the night exterior scene. Now, we’re balancing lighting ratios. Shane has a Q5 set at 3400 Kelvin in the corner, while the camera is dialed 500 degrees colder to create the desired gray tonality. For moon ambience, an Astera tube—softened with a thick pool noodle—is placed just outside the door. A branchaloris breaks up the Q5’s light, softening the shadows further. Brittany is on the camera, while Shane uses a Q5 with a Leko attachment firing upwards into the ceiling to create a subtle top light. With careful angling, Shane achieves a beautiful toppy effect, perfectly completing the scene. 🎥 This Black Friday, save $120 on your annual Filmmakers Academy membership and get this Night Cinematography Masterclass FREE! 📌 U.S. customers: Use PayPal Credit for 6 monthly installments on purchases over $99. This masterclass is the ultimate guide to mastering night exteriors, offering scalable techniques and workflows for productions of any size. Shane Hurlbut, ASC, breaks down tools and strategies for cinematic moonlight tones, large-scale setups, and precise lighting techniques. Learn budget-friendly approaches and gain adaptable knowledge for filmmakers at every level. ✨ Special Thanks: Craterr, Hollyland, Kondor Blue, Sony Cine, Irix Cine Lenses, Angelbird, Nanlux, CineMoves. 🎬 Supported by: Inovativ, Flanders Scientific, Tiffen, Herc Entertainment, Saniset Fleet, Keslow Camera, MBS Equipment, Premier Lighting, Northern Lighting, Legacy Grip, Division Rentals, Musicbed, and B&H.
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