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#BetterColorGrading showcases tips and techniques for enhancing visual aesthetics in videos. Creators share tutorials, tools, and transformations, inspiring users to elevate their editing skills for stunning cinematic effects.

The Anamorphic Lens vs The Shot 🎥 A few office shots using Sirui’s full frame T2.9 anamorphic ‘Saturn’ lens set. In shot order, the lenses used are the 35mm, 75mm, 50mm, 35mm…. Shooting anamorphic is something new to me, and I’m slowly starting to love the process. Unfortunately, the A7IV (my primary body) doesn’t have anamorphic de-squeeze support, but I’ve been using an external monitor to help with that. 1.6x is a really nice ‘squeeze factor’ and works well in post production. In 4k, you can change your vertical resolution from 2160 to 1350 (2160/1.6) and scale your y-dimension to 62.5% (100/1.6). Back in the day, I would throw black letterboxing on everything, in order to get that ‘cinematic’ look lol (and lowkey, I still do it sometimes), but being able to get that kind of aspect ratio straight out of camera is pretty sick - not to mention the distortion and flaring, which helps make anamorphic lenses look so interesting. 🎥 Link to all of my gear in bio 🎨 Color graded with The Everyday LUT (link in bio) Shot on: - @Sony Alpha A7IV - @SIRUI PHOTOGRAPHY Saturn T2.9 1.6x full frame anamorphic lens set (35mm. 50mm, 75mm) . . . . #sonya7ivtutorial #sonya7iv #colorgrading #colorgradetutorial #anamorphiclens #siruisaturn #finalcutpro #bettercolorgrading #toldbynicklut #theeverydaylut #bestlutforvideo #videographytips #videoeditingtutorial #videopostproduction

The Anamorphic Lens vs The Shot 🎥 A few office shots using Sirui’s full frame T2.9 anamorphic ‘Saturn’ lens set. In shot order, the lenses used are the 35mm, 75mm, 50mm, 35mm…. Shooting anamorphic is something new to me, and I’m slowly starting to love the process. Unfortunately, the A7IV (my primary body) doesn’t have anamorphic de-squeeze support, but I’ve been using an external monitor to help with that. 1.6x is a really nice ‘squeeze factor’ and works well in post production. In 4k, you can change your vertical resolution from 2160 to 1350 (2160/1.6) and scale your y-dimension to 62.5% (100/1.6). Back in the day, I would throw black letterboxing on everything, in order to get that ‘cinematic’ look lol (and lowkey, I still do it sometimes), but being able to get that kind of aspect ratio straight out of camera is pretty sick - not to mention the distortion and flaring, which helps make anamorphic lenses look so interesting. 🎥 Link to all of my gear in bio 🎨 Color graded with The Everyday LUT (link in bio) Shot on: - @Sony Alpha A7IV - @SIRUI PHOTOGRAPHY Saturn T2.9 1.6x full frame anamorphic lens set (35mm. 50mm, 75mm) . . . . #sonya7ivtutorial #sonya7iv #colorgrading #colorgradetutorial #anamorphiclens #siruisaturn #finalcutpro #bettercolorgrading #toldbynicklut #theeverydaylut #bestlutforvideo #videographytips #videoeditingtutorial #videopostproduction

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